When the mo-poke calls

Tersiiska Tense Dark Chocolate

 

night sparks

and the tension starts

quiet – still

the mo-poke marks

the time

of the bitter night dark

Its good chocolate to take just in case. Dark tense and bitter sweet. When memories strike back, I gently push them into the compartments in the train, on tracks of memory creased into the land and  held down by the iron gravity of a slight bend in time.  The time we’re here to make our mark.

Memories start as pages nice and neat and friendly categorized. On floors on stairways and on the darkened corridors of the upper floor.  Pages and pages, but non so organised as to be in a brightened book.  But recently now in November dark, I remember things that happened, the bitter chocolate things that shouldn’t have been and for many years with tense energy I had pushed them. Pushed them again into those far flung corners of the house.  Out of site and out of everyone’s mind.  But now unfortunately those memory doors are unlocked and ghosts coming out of the cupboards with broken locks and swinging hinges.

 

 

 

 

 

 

 

 

 

 

 

 

 

photo: https://www.flickr.com/photos/tersiiska/15618922691/

A dark Terrestrial Vibe – Subconscious Data Cloud

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Cool, but not cold to the touch it was. The damp darkness of it. The rough readiness of it being hard on the skin and bones of his skull which suddenly felt even heavier on it. Sleeping on the carpet of sharp rocks and dust of years all trudged and worn away by small animals scampering by in a past time of shelter.

It takes time to make that kind of black. The black of a cave out of sight of the world.  So black that your eyes can only see nothing real, only see what they imagine to see. There is no light further back, but there is sound.

There is a vibe in a cave, if only you could hear it.

be quiet enough, and still your breathing…

solid until the vibe sound came through it.

Came through your chest instead of oxygen to hear it.

the solid sounds of the earth below it.

and the struggling sound of water trickling kindly in it.

through the cracks of stone above it.

He woke up thinking..

” Yes it’s quiet, but I keep all my data down here, my memories my private ‘cloud’ my stuff that I did in the past. No disk drives, no wires, no access, no one can actually get at the data except me.  On the off chance that in a million year, way past my lifetime, I need it.  It might be found. Found down here in the dark recesses of my terrestrial mind, down in the dark where the terrestrial vibe sounds.”

“Yes it is quiet, but why do I need to keep it ? Why keep it when I sleep to forget it, why keep it longer, than my own mind would need it.  Emails, Data gone by, links once useful, now dissappeared and irretrievable. Why keep it, if no one can get it or use it or understand it or need it.”

Rust Wreaks

IMG_5375Love the feel of iron to the touch. It’s genetic for sure.  You touch it’s cool metal and watch it shine or glow. You feel the temperature, so slow to rise and catch your own. Heft the weight of it and understand it’s hardness for something mind bending and banging down wrought your Imagination. When it comes to rust though, it’s the weather and age that starts it’s decline.  A red mirage of it’s strength remains.

Remember machine how you art rust and unto rust you must return. Long forgotten machinery. Sitting there, with no oil, no attention, and no care.  The machine’s work is gone.  It’s lonely there, rusting slowly to a death of red.

Red rust is the outback of Australia, how the oceans rusted bad back before it all began, where the watery iron ions sat waiting and came out as red dirt for the land to occupy. A land occupied by iron tools on a red horizon full of flakes of past imaginings, past hopes, past dreams.

How my mind feels like that steel trap, which one day will lose it’s sparkle and spring. Which one day will be there rusting in spots and flaking off into the dirt of the past, for others to tread all over.

How my mind is a field of red rusty dirt just waiting for outback rain ready to bring sparkle and surprise to an ancient wandering.

— cjs – jan – 2013

Excuse me Sir – You have to Imagine it

On entering the room, there it was, a submarine so it seemed, all big round and rusty as I recall, and really filling the space, standing tall close to the ceiling, and wall to wall, almost corner to corner.  It looked more like a massive piece of war junk, a bomb perhaps, long not exploded after being left behind.  A modern day artist had found it and installed it in this rather white room of the art gallery.  How long had it been there ? How did they get it in ? Not sure – it looked familiar, yet impossible to really comprehend as something of any use whatsoever. How heavy was it ? It kind of looked solid, but I should have been too heavy if it was solid all the way though maybe.

The room seemed too small for the object and you could not the whole thing from where I stood near the entry. I started over to the left side, and tried to crab my way down the side wall – trying to see behind the thing, to see if there was a nameplate or something.

“Excuse me Sir”, came the command of the supervisor.

-mm.. but there was no line on the floor indicating the viewing limits — I thought..

I tried a bit further in, just a peek behind it is all I wanted..

“Excuse me Sir” !!

I backed out, oh well – I would just have to imagine it, since I could not see behind it.

How will the egg remember it’s me

(who backed out with care in the gallery)

when it has to remember

a rusty old chicken

It’s laid there to be

Later I ventured into another small room, an alcove hidden from view and the only thing in it was a square hole in the wall. The hole in the wall was pitch dark.  I poked my head in. There was nothing in there.  Gradually my eyes became accustomed to the dark inside the hole in the wall.  I still could not see much. I closed my useless eyes.

It smelled rusty !

“Excuse me sir !” I yelled into the void.  A dark metallic echo came back !

Now I remember what I imagined.

A short recollection – written in response to a experiencing the sculpture MEMORY of  Anish Kapoor.