Agave Abstract in the Outback

Tersiiska Agave Abstract Three men roared up the path to the outback pub.  Shaking only some of the dust off they each walked up to the bar.  Leaning on the bar the first guy, an office worker in the city on the coast, said..  Bartender he signalled..

Tequila !.  

As an aside to the others he commented “you know I really like to get away down the road and get the bike to hit it’s straps”… “gives me a sense of tranquility”.

At which point the second guy, a poet said, “when I get on mine, it’s turbo fairly sings the body electric as I fly down the road..and that’s peace AND quiet for me”.

“Tequila ! ” said the bartender – sliding three shots down the bar.

They all drank with the requisite ritual of lemon and salt.

Holding the empty shot glass in his hand and sweeping it in the air, the rocket scientist from Woomera said “Listen boys, back in 1957 when they were doing the tests out here, I used to get on my bike and it would take off like a rocket.  She’d fly so fast and break the sound barrier… you could hear a pin drop.

Tequila !!!

 

 

 

 

 

 

 

 

 

Photo: Agave Abstract – Tersiiska:Flickr – used with permission.

A Dragon meets the Snake at the Lagrangian point of the heart.

 

The moon represents my heart.
The moon represents my heart.

We moving fast and strong, and if I think on it quite attractive fire. You down there in the riot would not notice us from earth. We left some day ago and we didn’t make the papers since they are long since dead and gone. The dragon ship is tight and moving along the gravity line between our earth and moon and sun.  I looked out just a minute back and saw it rising past our cockpit window screen.  Full and bright in the sunshine.  Yes right now Idon’t care for your texts or facebook posts of cats and dogs.

In just a minute it will be the new year down in China and our new year as well. I pressed play on Teresa Teng’s 月亮代表我的心  “Yueliang …Wo De Xin”.. in the final minutes of the latest moon dragon phase.

Rolling Jarrett bells of star chords singing with a statement then questions to follow. Who is that strong bright thing in the sky ? That rocket ship sitting so confident and ready to strike ? The man in it and why ?  No my love, that represents my heart.  Yeah, you know how you kissed me when I left.  Now that is how I love you.  How the moon is tonight. Do you remember it ?

Slow Slow.. slower.. slow.. we are coming up to the spot … that difficult spot in space … where you have to stop and pause in the Lagrangian moment.

Yes the earth is far enough to have no more impact that it’s favourite moon now.

A space ship in sound around in a quiet space with engines stopped and slow moving very slow you wouldnt know of course but waiting on no power. Then I thought carefully. That moon reflects my heart. So you could look up now and see it and know it is how my heart is.  A change of heart. I did it just to please you. But now I wish you were here or I was there. Just outside it… waiting on a Lagrangian point of love.

Photo of ‘Heart in a Bowl’ attribution : Auntie K : Flickr.

[Keith Jarrett : Koln Concert: Track 4..  6 minutes.]

Lagrangian points : 

Rust Wreaks

IMG_5375Love the feel of iron to the touch. It’s genetic for sure.  You touch it’s cool metal and watch it shine or glow. You feel the temperature, so slow to rise and catch your own. Heft the weight of it and understand it’s hardness for something mind bending and banging down wrought your Imagination. When it comes to rust though, it’s the weather and age that starts it’s decline.  A red mirage of it’s strength remains.

Remember machine how you art rust and unto rust you must return. Long forgotten machinery. Sitting there, with no oil, no attention, and no care.  The machine’s work is gone.  It’s lonely there, rusting slowly to a death of red.

Red rust is the outback of Australia, how the oceans rusted bad back before it all began, where the watery iron ions sat waiting and came out as red dirt for the land to occupy. A land occupied by iron tools on a red horizon full of flakes of past imaginings, past hopes, past dreams.

How my mind feels like that steel trap, which one day will lose it’s sparkle and spring. Which one day will be there rusting in spots and flaking off into the dirt of the past, for others to tread all over.

How my mind is a field of red rusty dirt just waiting for outback rain ready to bring sparkle and surprise to an ancient wandering.

— cjs – jan – 2013

Excuse me Sir – You have to Imagine it

On entering the room, there it was, a submarine so it seemed, all big round and rusty as I recall, and really filling the space, standing tall close to the ceiling, and wall to wall, almost corner to corner.  It looked more like a massive piece of war junk, a bomb perhaps, long not exploded after being left behind.  A modern day artist had found it and installed it in this rather white room of the art gallery.  How long had it been there ? How did they get it in ? Not sure – it looked familiar, yet impossible to really comprehend as something of any use whatsoever. How heavy was it ? It kind of looked solid, but I should have been too heavy if it was solid all the way though maybe.

The room seemed too small for the object and you could not the whole thing from where I stood near the entry. I started over to the left side, and tried to crab my way down the side wall – trying to see behind the thing, to see if there was a nameplate or something.

“Excuse me Sir”, came the command of the supervisor.

-mm.. but there was no line on the floor indicating the viewing limits — I thought..

I tried a bit further in, just a peek behind it is all I wanted..

“Excuse me Sir” !!

I backed out, oh well – I would just have to imagine it, since I could not see behind it.

How will the egg remember it’s me

(who backed out with care in the gallery)

when it has to remember

a rusty old chicken

It’s laid there to be

Later I ventured into another small room, an alcove hidden from view and the only thing in it was a square hole in the wall. The hole in the wall was pitch dark.  I poked my head in. There was nothing in there.  Gradually my eyes became accustomed to the dark inside the hole in the wall.  I still could not see much. I closed my useless eyes.

It smelled rusty !

“Excuse me sir !” I yelled into the void.  A dark metallic echo came back !

Now I remember what I imagined.

A short recollection – written in response to a experiencing the sculpture MEMORY of  Anish Kapoor.